Here are some specific cases for the verb-subject chord in English: Assonance – a phonetic style medium; This is the matching of vocal sounds (sometimes combined with the parable in the consonants). In addition to language breakers such as “She sells seashells on the coast,” there are examples of alliteration in poems, song lyrics and even popular business or brand names. Most Slavic languages are very curved, with the exception of Bulgarian and Macedonian. The agreement is similar to Latin, for example. B between adjectives and substants in sex, number, case and animacy (if considered a separate category). The following examples are taken from the serbo-crown: alliteration aims to give a melodic effect to the expression; Alliteration is generally seen as a musical accompaniment to the author`s idea, it creates a vaguely emotional atmosphere that each reader interprets for himself. Thus, the repetition of sound in the lines of Poe`s poem “The Raven” at the same time provokes the feeling of fear, fear, dread, fear or all these feelings. The alliteration effect can also be used with a name to easily memorize it and stand out in the crowd. You can recognize some of the famous names below because of the alliteration used in their name: SoFi Stadium In a fan of alliteration, so I like it, which can be very 10th english class from me, but I think it`s a very natural name. The agreement generally includes the matching of the value of a grammatical category between different elements of a sentence (or sometimes between sentences, as in some cases where a pronoun agrees with its predecessor or its reference opinion). Some categories that often trigger grammatical chords are listed below. There is also unanimity in the number. For example: Vitabu viwili vitatosha (Two books will suffice), Michungwa miwili itatosha (Two orange trees will suffice), Machungwa mawili yatatosha (Two oranges will suffice).
In the case of verbs, a gender agreement is less widespread, although it may still occur. In the French past, for example, the former work of the participants corresponds, in certain circumstances, to the subject or an object (for more details, see compound past). In Russian and most other Slavic languages, the form of the past in sex corresponds to the subject.